......got a little too kinetic yesterday. Three panes of ice with puzzle pieces inside. I used a frying pan to melt some edges straight so I could make a three-part construction of it, Got it in front of the camera, lit, holder in, ran the flash meter and closed the lens and set the f-stop, stepped to the back of the camera to pull the slide and the whole thing collapsed and shattered. Interesting to feel the varying emotions that wash through you at that point. It had taken several days to freeze the panels, cut them out with hot water, re-freeze parts. On the other hand, I'm learning things and figured out how to get them to stand a little steadier for another couple of minutes at least...pushpins to help stabilize the bottom on the back side out of sight. And worked out how to freeze two panels together at an angle.
Might not be any better than this, but you never know until you do it.
Thanks for dropping by! View counter has gone a little nutty lately. Be sure and look at older posts down the scroll. Many more photos and a few helpful hints. I don't really have any secrets, I just work.
On the Blackfork 6 Channel on Youtube there are some videos of shooting photographs that might be helpful.
All images for sale, of course, in various sizes at various prices. Don't hesitate to email me if you are interested in something at Blackfork6@aol.com.
I'm currently working of several projects, one of which is reviewing old negative files and purging poor negatives and proofing the rest. Some of my boxes of 5X7 negs haven't been looked at since I logged them in. Got more frozen puzzle pieces ready in the freezer right now for another Kinetic Still Life.
2004 neg for a project I did for the Tyler Museum of Art.
Dr. Madison Wolfe at Sam Houston in about 1973.
Cotton Gin near Shiro, Texas in 1975.
Having a visual cue plus the log book brings up the memory of making almost every one of these negatives in detail. The camera, the film, who was along, where I was, what the light felt like. (Only had one lens for my 5X7- a 210 Symar, so I was limited.) Very interesting trip, (to me, at least). 40 years back into the past.
Since my negatives are now at the house, I'm spending time purging poor selections, making proofs, filing, et. Making things simpler.
Two shots of the same scene. Top with a 12 inch Commercial Ektar early and bottom with 450mm Nikkor a little later. Spent the night on a tilty bolder to shoot a view of the South Dike. Couldn't do that in present weather, though the shadows would be MUCH different.
Tinking around with the Salt Cave photo.
Pre-flashing paper to get the whites in, and trying split filtering.
Looking at images to find overlooked, unprinted negs. I was very careful to level the camera inside the Salt Cave, but turns out it needs a little tilt.
Behind the White Tower on the NW corner of Shiprock. Print over the fixer tray. Easy print with some pre-fogging of highlights. Not many people go to Shiprock, fewer still actually drive out to the rock, less than those go around the West side. Hardly anyone ever goes into the big NW alcove behind the White Tower. Sporty, steep. Spooky. There is a great flat area along a wall that would be a great place to sleep, but only a couple views out of there. Hope to go there at least once more.
The Little Necks. Over the fixer tray. Have to print very carefully for this. Can't add too much contrast...and all those lovely filters are just waiting there...
Going to print this, but need to set up for larger paper. Might try a small version first. Some images just "want" a certain size. Roaring afternoon light in June.
Wish the process didn't require so much film. For some reason, I actually have to put a holder of 8X10 in the camera and shoot a shot to get to the next level. 7 bucks a lesson.
An old idea of mine, just getting it off the ground. Learned several things...but already figuring out new things to do. I need to break the edges more. (I haven't dropped a sheet and shattered it....yet.) One more half-sheet of frozen puzzle pieces standing by....all manual photoshop. On to the next incarnation. Plus I have to think up a title. A GOOD title. They are back in the freezer hardening up while I mosh it around in my head a little more.
I cut the puzzle pieces out with a puzzle piece rolling cutter jig at a photographers place nearby. Used black, white and cardboard. In the water, they float so I had to freeze them in stages laying in the flat tin top of some metal box. The black material comes apart in layers when wet. Never know until you do it, then you find out.
Really enjoying the heck out of Sandy King's Pyrocat developer.
Added an Ebay Fuji 600mm. Ought to be handy out West, especially next summer at A-I-R at the North Rim of the Grand Canyon. Wish I had it at for Petrified Forest A-I-R in October. Cheap price, about 400.00 delivered. Looks to be in excellent shape.
Common owls of the area. Very vocal. This is the start of their mating season. This one was killed by traffic out on the highway. Found another in town. Ginko tree is dropping leaves. Used a light yellow to bring them out a bit. HP5 in Pyrocat.
Was kicking myself for not having Fuji 180mm lens. Had to really back up a ladder to get it in 210 Symar.
Standing up the petrified trees from the park. I actually think this might work. I have 32 images that seem worth fooling with. Just enough for a small show. These wouldn't be any good for tourists or amateurs...the concept wouldn't be a fit. Needs to be seen by folks who might grasp the concept.
Photographer from Tyler Texas. Images in collections and museums in the region. Still using film for exhibitions. Commercial work in digital.
Contact for sales or assignment at Blackfork(six)atAOLdotcom